Bettina Sellmann. Glam Magic Edition. Giselher Hartung (ed.), on the occasion of the exhibition Glam Magic Manufactoray at Oberfinanzdirektion Frankfurt am Main, two-in-one book, also: René Luckhardt. Manufactoray, Kann-Verlag, Frankfurt/Main, Germany, 2019, 32 pages, ISBN 978-3-943619-68-3
Bettina Sellmann. Hello Color. On the occasion of the exhibition Hello Color at Gilla Lörcher I
Contemporary Art, text by Helioglobal, Berlin, Germany, 2017, 12 pages
Bettina Sellmann, Magic Every Day. On the occasion of the exhibition Magic Every Day at Gilla Lörcher I
Contemporary Art, text by Andreas Schlaegel, Berlin, Germany, 2013, 24 pages
Bettina Sellmann. Galerie Beate Kollmeier (ed.), text by Zoran Terzic, design by Delia Keller –
Gestaltung Berlin, Essen, Germany 2003, 36 pages, ISBN 3-00-012691-0
EASYMAGIC123, a publication by painters Bettina Sellmann and Julia Jansen and poet Julia Mantel,
Edition Faust, Frankfurt/Main, Germany, 2022, 128 pages, ISBN 978-3-949774-11-9
Easy Magic 123
The Judith Rothschild Foundation Contemporary Drawings Collection. Christian Rattemeyer (ed.),
Museum of Modern Art, New York, NY, USA, 2009, 296 pages, linen hardcover with paper ISBN 978-0-87070-751-3
Remastered. Sebastien Agneessens (ed.), Die Gestalten Verlag Berlin, Germany, 2006,
160 pages, hardcover, ISBN-10:3-89955-164-8, ISBN-13: 978-3-89955-164-8
Figuratively Seeing. Edited by Darci Hanna and Chloe Zaug, text by Ann Wilson Lloyd,
Massachusetts College of Art and Design, Boston, MA, USA, 2009, 66 pages, linen hardcover with embossing
New American Paintings #74, Volume 13, Issue 1. Steven T. Zevitas (ed.),
The Open Studio Press, USA, February/March 2008, 172 pages, ISBN 1066-2235
You Should Have Seen It!: A four-part zine about lost or destroyed artwork. Volume 2, Skowhegan School of Painting and Sculpture, New York City, 2024, pages
Featuring stories and documentation of lost and destroyed artworks from Skowhegan alumni across 8 decades, the zine showcases 83 Skowhegan Alumni, curated by Rebecca Shippe (A ’18) into four thematic books (“it was their fault”, “it was my fault”, “it wasn’t meant to be”, “it never was”), in addition to four commissioned essays. You Should Have Seen It aims to highlight the often ephemeral nature of art as well as the necessity of proper arts archiving by placing stories from a wide array of social contexts and media landscapes in conversation with one another. Free digital download available here.
The Literary Review. (Cover). Fairleigh Dickinson University,
Madison, NJ, USA, January – March 2004, 172 pages
GermanyVoix. Women Painters‘ Network Berlin-Leipzig, editor Alfred Weidinger, texts by Mona Horncastle, Jeanette Stoschek, Ijsbrand van Veelen,
Museum der bildenden Künste Leipzig, Verlag E.A. Seemann, Leipzig, Germany, 2019, 238 pages, ISBN 978-3-86502-424-4
Paint: The Seen, the Unseen and the Imagined. Catherine Milner (ed.),
text by Rachel Campell Johnston, Messums Wiltshire, Tisbury, UK, 2019, 52 pages
Farbauftrag. MalerinnenNetzwerk Berlin–Leipzig/Women Painters‘ Network Berlin–Leipzig,
Jaqueline Krickl (ed.), Haus am Lützowplatz, Berlin, Germany, 2017, 128 pages
Painting XX. MalerinnenNetzwerk Berlin–Leipzig/Women Painters‘ Network Berlin–Leipzig,
Enno Wallis (ed.), Kann-Verlag, Frankfurt/Main, Germany, 2017, 88 pages
Sweet Nothing Sweet. Kunstverein KISS – Kunst im Schloss Untergröningen (ed.),
curated and text by Heidi Hahn, Untergröningen, Germany, 2020, 96 pages
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